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Date: Jun. 10th, 2020 07:03 pm (UTC)I absolutely agree about that elusive thing about Broster's writing--it really is something that's difficult to pinpoint, but truly makes it striking and memorable. I also think it's not necessarily about tragedy, to me it feels like this emotional weight comes from a strong sense of place, which she is excellent at writing... and I also feel it's from the idea of characters doing what they do for a reason that, more often than not, seems to be their home (motherland, home country, choice of king or gov't, whatever), so the stories become so emotional and striking because they are tied to the struggles the characters go through and them meaning something, because of that sense of homecoming they achieve (or hope to achieve) in the end. Does that make sense? I feel that Broster's narrative style is so good at showing all this, and more... but you've said it way better, heh! <3
I absolutely agree! It does feel a bit cruel, but also very realistic! Even in small passages and details, you get this deep feeling, this depth of character that also makes you see them as real people, and sympathise with them, even when they are Royalists! haha! But seriously, it is great! <3
I love Raymonde too, as you know! <3 A total badass, with her own goals, and definitely not used as a plot device!! I love how well-developed she is--Broster doesnt make her one-dimensioned, like so many heroines are, so she can be both tough *and* emotional. Like you said, "courage and resourcefulness and passion and pride". She's the whole package, and I totally agree with you about needing more characters like her!
Yes! And I somehow feel that some scenes in FOTH have that similar flavour, of confronting your enemy with reason and logical thinking and words, rather than just plain battlefield fighting (and perhaps, seeing more common points that one might think...)
Speaking of FOTH, while it can't be beat because of all those nature descriptions (yes, I am Biased <3), I feel that this novel also really shows Broster's wonderful grasp of emotion and character growth. I am weak for the "personal salvation through human connection" trope (which, in a sense, is a sort of emotional homecoming and Broster really kicks ass at writing this!) and you really see this in the bond the Chevallier forms with Anne and then with Raymonde (with a happier ending than the one our Keith gets--but luckily there is such a thing as fix-it fic! ;)
As a side note, I feel it's quite refreshing to show this "slowly rediscovering the value of love" thing via a bond with a child, isn't it? It's not a romantic bond that saves him/brings his heart back to life, and I think it's lovely. Maybe it's just me, but it seems that many times, romantic bonds are shown in fiction as the only meaningful/important ones, so it's great to see a different thing here! Which is not to say that I don't root for him and Raymonde, because theirs is one relationship I can totally see as realistic and fleshed out--they dont fall in love the second they see each other, like in other romance books, and so it's very nice to see their relationship grow, along with the things/the Cause they have in common.
I absolutely agree! <3
Also very true, she kept the m/m handholding to a bare minimum here. I think the Chevallier gets kissed by another soldier once, and he and Anne's dad are close friends, but that's about it--Broster knew that we are all #TeamRaymonde, haha!
Oh, you're right about that! I knew you'd spot all the Important Details! Well, this is what fanfic is for, isn”t it?
Yes! <3
Haha, it really is a bingo card waiting to happen, isn't it? I find it very amusing! :D
And it's awesome of you to consider scanning it and sharing it with the world! <3