regshoe

Yes, I wonder if Guthrie is something of a representation of historical figures like Caroline Scott and similar—I've seen the point made in history books several times that, despite the popular Scotland vs. England framing of things, some of the worst perpetrators of the repression of the Highlands were Lowland Scots. But then again Lowland support for the Jacobites also seems to be overlooked historically (and so is Highland anti-Jacobitism)—it is all very complicated.

Very insightful thoughts on Keith's position here, and I like your idea that Keith's ambition has become his fatal flaw. There's definitely a point somewhere in there about the wider consequences of Keith's rejection of personal love (if he had a passion left in life, it was military ambition)—it's not just a matter of it hurting him emotionally—and it then becomes very significant that his recognition of Ewen is what drives him to intervene in the execution.

The clan tartans seem to be the one place Broster's meticulous historical accuracy falls down—I wonder if it was really known at the time that they were a Victorian invention. My understanding is that, while official tartans used to identify specific clans didn't exist, there were consistent regional variations in the patterns made—so perhaps Keith is recognising a particular Lochaber tartan design that all the Camerons from the area around Ardroy wear?

Fetch my fainting couch.

:D

Oh, the intimacy of the shieling scene, yes... with sanguinity's earlier comments on the parallels between Keith and Alison in mind, I think there's something very significant in Keith seeing Ewen sleep, and hearing him talk in his sleep, here... hmm, this book does subtext in the fun blatant way and also in the more subtle and meaningful way, and I'm appreciating the latter much more in this read-through. Very good point about the parallel with that bit later on, too!