Recent reading
Aug. 23rd, 2020 05:39 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
regshoeI bought myself a bread machine last week, so besides reading I've been spending the weekend making and eating an excellent loaf of bread—absolutely delicious, this was a good decision.
Imre by Edward Prime-Stevenson (1906). This novella is the fairly structurally simple but emotionally fraught story of two men, a British gentleman traveller and a Hungarian army officer, who meet in a cafe in a thinly-fictionalised Budapest and fall in love. As you might imagine, it wasn't easy to publish this kind of thing in 1906, and Imre wasn't published as such—the author had it privately printed and distributed, presumably hence why it's not easy to find now. It is very much of its time, and I mean that in a not necessarily bad way—the book is pervaded by the medical-psychological attitudes to homosexuality of the turn of the twentieth century and uses words like 'Uranian' and 'invert' a lot, but it also strongly argues against the view of 'Uranianism' as a disorder, and for the beauty and happiness to be found in what Prime-Stevenson calls 'the friendship which is love, the love which is friendship'. The central relationship isn't the most substantial and there's not much of a plot, but there are some really lovely bits of description—both of Imre himself and their developing relationship by our adoring narrator, but also of the city of Budapest. Some pivotal scenes take place on this bridge, which is a suitably dramatic setting!
Code Name Verity by Elizabeth Wein (2012). I found this book both really good and very frustrating. It's set in some of the more dramatic bits of the Second World War—the main characters are a pilot in the Air Transport Auxiliary and a Special Operations spy—and the book, narrated in first person by each in turn, is supposedly made up of what they write down during their adventures and trials after a mission to France goes badly wrong. First, what I liked: it's really good to have this kind of historical adventure with a central intensely loyal (and pretty shippable) relationship between women—you don't see that often, and Maddie and 'JB-S' are great together. Not being eighteenth-century gentlemen, they don't have quite the same concept of honour that e.g. Keith Windham has, but that sort of thing is there too—I was somewhat struck by the similarity between the set-up for the big plot twist and the central problem of The Wounded Name, with a character appearing to have done something dishonourable but... Anyway, there are a lot of lovely relationship moments, and I enjoyed it all very much. The history was another highlight—the author has clearly done her research, even including a bibliography in the back of the book covering various details of the setting and plot, and there are lots of interesting (and sometimes fairly harrowing—we are dealing with spies and Resistance agents in occupied France) historical details scattered through the narrative.
And the things I didn't like. This book has a lot of plot twisting, and makes fairly heavy use of unreliable narrators, both things that I felt ended up getting in the way of the story and characters. I don't like the kind of unreliable narration that involves deliberately lying to the reader, and while it wasn't particularly surprising that a narrator writing something for the Nazis who've captured her to read would do so, the twist that follows was a bit of a let down. Some of the first things we learn about one of the characters—things that made me sit up and go, ooh, now that's interesting, I want to explore that and see how it develops—turn out to be complete fabrications, and I can't help feeling like that's cheating. The central relationship is, as I said, really good, but I didn't feel like it got room to breathe between the constrained narration and the Dramatic Twists—there's not enough substance there, and it's frustrating because it's such a good idea—there could have been!
(Also, the whole 'intense same-gender friendship where one character's textual love interest is the other's acceptably-gendered sibling, with lots of emphasis on how very similar the siblings are in appearance and personality' is literally how they did homoerotic subtext in the 1860s, and I cannot take it seriously in something published in the twenty-first century.)
However! This book was nevertheless very good, and if I think it had more potential than pay-off, that's what fanfiction is for. It does seem to be pretty popular, as well—nearly 100 fics on AO3. (That's my idea of 'big fandom' these days, anyway...)
Next I think I'm going to re-read South Riding, and I feel it may be interesting reading something both written and set in the 1930s after a WWII book. We shall see...
Imre by Edward Prime-Stevenson (1906). This novella is the fairly structurally simple but emotionally fraught story of two men, a British gentleman traveller and a Hungarian army officer, who meet in a cafe in a thinly-fictionalised Budapest and fall in love. As you might imagine, it wasn't easy to publish this kind of thing in 1906, and Imre wasn't published as such—the author had it privately printed and distributed, presumably hence why it's not easy to find now. It is very much of its time, and I mean that in a not necessarily bad way—the book is pervaded by the medical-psychological attitudes to homosexuality of the turn of the twentieth century and uses words like 'Uranian' and 'invert' a lot, but it also strongly argues against the view of 'Uranianism' as a disorder, and for the beauty and happiness to be found in what Prime-Stevenson calls 'the friendship which is love, the love which is friendship'. The central relationship isn't the most substantial and there's not much of a plot, but there are some really lovely bits of description—both of Imre himself and their developing relationship by our adoring narrator, but also of the city of Budapest. Some pivotal scenes take place on this bridge, which is a suitably dramatic setting!
Code Name Verity by Elizabeth Wein (2012). I found this book both really good and very frustrating. It's set in some of the more dramatic bits of the Second World War—the main characters are a pilot in the Air Transport Auxiliary and a Special Operations spy—and the book, narrated in first person by each in turn, is supposedly made up of what they write down during their adventures and trials after a mission to France goes badly wrong. First, what I liked: it's really good to have this kind of historical adventure with a central intensely loyal (and pretty shippable) relationship between women—you don't see that often, and Maddie and 'JB-S' are great together. Not being eighteenth-century gentlemen, they don't have quite the same concept of honour that e.g. Keith Windham has, but that sort of thing is there too—I was somewhat struck by the similarity between the set-up for the big plot twist and the central problem of The Wounded Name, with a character appearing to have done something dishonourable but... Anyway, there are a lot of lovely relationship moments, and I enjoyed it all very much. The history was another highlight—the author has clearly done her research, even including a bibliography in the back of the book covering various details of the setting and plot, and there are lots of interesting (and sometimes fairly harrowing—we are dealing with spies and Resistance agents in occupied France) historical details scattered through the narrative.
And the things I didn't like. This book has a lot of plot twisting, and makes fairly heavy use of unreliable narrators, both things that I felt ended up getting in the way of the story and characters. I don't like the kind of unreliable narration that involves deliberately lying to the reader, and while it wasn't particularly surprising that a narrator writing something for the Nazis who've captured her to read would do so, the twist that follows was a bit of a let down. Some of the first things we learn about one of the characters—things that made me sit up and go, ooh, now that's interesting, I want to explore that and see how it develops—turn out to be complete fabrications, and I can't help feeling like that's cheating. The central relationship is, as I said, really good, but I didn't feel like it got room to breathe between the constrained narration and the Dramatic Twists—there's not enough substance there, and it's frustrating because it's such a good idea—there could have been!
(Also, the whole 'intense same-gender friendship where one character's textual love interest is the other's acceptably-gendered sibling, with lots of emphasis on how very similar the siblings are in appearance and personality' is literally how they did homoerotic subtext in the 1860s, and I cannot take it seriously in something published in the twenty-first century.)
However! This book was nevertheless very good, and if I think it had more potential than pay-off, that's what fanfiction is for. It does seem to be pretty popular, as well—nearly 100 fics on AO3. (That's my idea of 'big fandom' these days, anyway...)
Next I think I'm going to re-read South Riding, and I feel it may be interesting reading something both written and set in the 1930s after a WWII book. We shall see...
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Date: Aug. 24th, 2020 05:31 am (UTC)no subject
Date: Aug. 24th, 2020 07:31 am (UTC)