regshoe: A stack of brightly-coloured old books (Stack of books)
The last few books have been a little underwhelming, altogether, but not without their good points.

By Berwen Banks by Allen Raine (1899). I was in the mood for some turn-of-the-century Welsh melodrama, for which this was pretty ideal! Set on the coast of Ceredigion, it tells the story of the romance between Caradoc 'Cardo' Wynne, the son of the local Anglican vicar, and Valmai Powell, the niece of the local Methodist minister. The two clergymen hate each other (there's a very funny bit near the beginning about them punctiliously and passive-aggressively praying for each other every week), and are not thrilled at the prospect of a match between their young relations, but of course True Love wins in the end, after many hardships. The melodramatic twisting of the plot got a bit much, I think, but it was still enjoyable (and interesting to see an 1890s take on travel to Australia by someone other than E. W. Hornung, haha...). There were some good historical bits in there too—I enjoyed the description of the big Methodist revival meeting with huge crowds singing hymns and open-air preaching, and Raine's pro-Welsh language digressions were appreciated.

Every Good Deed by Dorothy Whipple (1946). This book is about two sisters, wealthy ladies, adopting a teenager from a Bad Home, and I don't know what happened with it—it's nothing like the other books I've read by Whipple. Not just the mean-spiritedness, classism and sexism, but the basic mechanics of the plot and emotional sensitivity of the writing, which I've admired in her other books, just weren't there. I thought it might be a still-finding-their-style early work, but no, this was sixteen years after High Wages, probably my favourite of her books so far. Oh well—I suppose we all have off days!

The War-Workers by E. M. Delafield (1918). This is about women 'war-workers'—in this case, the staff in the office of the Midland Supply Depot, responsible for overseeing and organising a wide range of military-adjacent activities—during the First World War, and in particular Charmian Vivian, the autocratic and mercilessly dedicated Director of the Depot. It made me feel a bit unsettled, overall. I felt very sympathetically towards Char, despite the fact that she really is quite unpleasant as a person. I think it was the way the other characters criticised her, particularly the doctor, who I found completely insufferable—and the way the 'good' characters find happiness in getting around her and shutting her out. I think I feel instinctively that anyone who gets that sort of treatment must be on the right side in a way, even if they do kind of deserve it. (Having read Consequences recently, I'm not at all sure this reaction wasn't intended by Delafield, who certainly has a thing about difficult, isolated loners who only make things worse for themselves). However, I really enjoyed the portrayal of the friendly camaraderie and petty enmities between the rest of the office workers, who all live together in a cramped and makeshift Hostel next to the office, and the book was historically interesting as well—I'd not appreciated how much administrative and organisational work women did in the First World War, and it was fascinating getting a look into what that was like.

In other stuff, I'm in the middle of watching Ghosts, the BBC sitcom about a haunted house from the people who did Horrible Histories, having found the second series on iPlayer. I'm really enjoying it! The comedy gets just a little embarrassment-squicky at times, but the characters and their interactions are all great, and I love how this series is exploring the ghosts' backstories and their hidden depths—I've just watched the episode about Thomas and now feel really sad for him, and the one about the Captain was so sweet. I'd love to know more about Mary's backstory—I think she's my fave of the ghosts, and I'm sure the writers will come up with something more complicated than 'she was burned as a witch' (which they must know is anachronistic anyway...!)—and Kitty's, because I like her a lot too and because so far I don't think we've had any real hint of what her backstory might actually be. Looking forward to the last two episodes :D
regshoe: A stack of brightly-coloured old books (Stack of books)
Various odds and ends. I have been saving Henry IV Part II, which will be my last library book for some time, and am not quite feeling up to The '45 (although I have been idly flipping through the contents page and going 'ooh, that looks really interesting' at everything—it has all sorts of details, even a series of weather records for the year 1745-6, now that's good fic research material!), so here's what I've got to in the meantime...

Phantastes by George MacDonald (1858). I thought I'd go and read some more very early fantasy, and this is proper Victorian Faerie Romance. It doesn't have much of a plot: the main character, a young gentleman named Anodos, stumbles into Fairyland by means that are never really explained and the rest of the book chronicles the various adventures he goes on there, meeting good fairies, evil trees, Arthurian knights, various bewitchingly beautiful women, strange magic, and so on. All of this is described in vivid detail and at some length. There are a lot of ideas in this book, and a lot of appropriately strange images and descriptions of the magic of Fairyland (the image of the evil ash tree's fingers reaching out over Anodos, and the bit where he's followed by his shadow for days on end, stand out), but the meandering structure got kind of annoying after a while—it felt like for all the interesting ideas introduced, none of them ever got the depth it really deserved, and nothing really went anywhere. Perhaps there was some kind of Important Point I was missing, but it felt like a lot was wasted.

Consequences by E. M. Delafield (1917). 'Young lady grows up around the turn of the twentieth century and continues not to get married' is one of my favourite very precise genres of novel. They tend to be a bit on the depressing side—the best example is Alas, Poor Lady by Rachel Ferguson, which is an incredible picture of slow, creeping, stultifying misery—but this one is something else. It follows the life of Alex Clare, the eldest daughter of a well-to-do English Catholic family living in London, from her childhood in the nursery, through schooldays in a Belgian convent, 'coming out' in society, a failed engagement, religion and various other trials, and it is miserable. It was a bit much, in fact, especially at this point. More than the material and social difficulties of the late-Victorian/Edwardian spinster's life, the big problems in this book are psychological: Alex's continually thwarted desire to be loved and seen for who she is, her growing conviction that there's something indefinably wrong with her and that she cannot have the easily happy normal life that other people fall into, her hopelessly asymmetrical relationships with the people she loves. These problems are never really solved, and parts of it felt like an uncomfortably precise and almost indulgent portrayal of some of the things my brain likes to worry me about on dark nights. A good book, but not really an enjoyable one. (Read 'Diary of a Provincial Lady' instead—the best known work of E. M. Delafield, who clearly had range as a writer!)

Round About a Pound a Week by Maud Pember Reeves (1913). Apparently my idea of comfort reading these days is Edwardian-era sociological studies, but this one is really interesting. This book is the result of an investigation, carried out around 1909-1912 by the Fabian Women's Group, into the lives of the people in their society living and raising their families on 'round about a pound a week', concentrating on the Lambeth area of London. It goes into great depth on how women, the wives of men steadily employed in various labouring occupations, contrived to keep their families housed, clothed and fed on these wages, and what sort of conditions they, their husbands and children had to endure as a result of the poverty they were subjected to. It's valuable both for the historical information—the amount of detail here would be an amazing resource for anyone writing about the period—and for the political context. The book is directed at the middle-class peers of its author and takes apart with devastating detail the view, apparently popular amongst such people, that the poor were poor due to their own laziness or bad management rather than the combination of lack of money and the effects of the resultant bad living conditions. Pember Reeves devotes the last couple of chapters to setting out ideas for how the state should improve this situation, and it's a fascinating bit of political history.

June 2025

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